Art Woman Personification of Spring Is Ready to Emerge From Her Winter Home Underground
Some other couple might have given up, but not Craig and Linda Fiebig. After a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new house on the aforementioned property.
"If I hadn't had three kids at the fourth dimension, I would have chosen a loft downtown," says Linda, now a stay-calm mother of iv. With that urban archetype in mind, the Fiebigs asked the noted business firm Vandeventer + Carlander Architects to blueprint a colorful gimmicky house that could adjust the couple's burgeoning art collection and the demands of a growing family unit.
Perched on a rambling corner lot just minutes from downtown, the new home consists of two parallel boxes linked by a narrow atrium. Support functions such as the kitchen, laundry, stairs and bathrooms are wrapped in ruddy Cor-Ten steel, while living spaces reside within a cedar block set atop a glass plinth. "We used different materials to code the public and private spaces and to run into Linda'due south desire for color and variety," says design principal Tim Carlander, who collaborated on the projection with his business firm's managing partner, Beak Vandeventer, and SBI Construction.
The home'south artistic aspirations are evident from the entry, where storefront windows frame a compelling canvass by Chinese American artist Hung Liu. To the left sits Linda's function, an ocher command center with expansive glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the house into public and individual realms. "This house is laid out very functionally," Linda says. "At that place'southward no wasted space."
Steel armatures frame the living expanse and back up the second floor, freeing the surrounding curtain wall to encompass the sylvan setting (the mural architect was Portland's Samuel Williamson). Glass doors open up onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor flow that's ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there's nowhere for guests to linger.
Linda kept her color cravings in check when it came time to decorate. "I really had to fight my impulses, considering I didn't want to steal the thunder from the compages or the art," she says. The living room (furnished past Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a blood-red Tai Ping carpet. A cherry-red zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. By limiting the accents to a single hue, Skelton was able to satisfy the owner's desire for color without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable simply besides more vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, eleven, and Rhys, five. "In that location'southward going to be a certain rate of compunction, and you just deal with it," shrugs Craig, an IT marketing manager. "The ii of us have damaged more fine art than the kids take," Linda confesses.
Click here to see the gallery for "The Aesthetic Domicile".
Linda, a Midwesterner by birth, asked for plenty of light to combat Seattle's ofttimes gloomy weather. The architects obliged, lining the atrium's walls and ceiling with a nearly unbroken ring of windows. Even the atrium floor is drinking glass, so light can illuminate the basement during the twenty-four hour period.
Glass bridges span the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they have to cross a span to get to the master bath, Linda and Craig don't seem to mind. "My hubby gets upwards at v in the morn, then while he'due south getting ready, I can nonetheless be over in the bedroom sleeping," Linda says.
Owing to a variety of unforeseen circumstances, the firm took six years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their fine art to friends. (Attending a party 1 evening, Craig raved about one of his host's paintings, only to exist reminded that the slice was his.) When they were finally reunited with their art, Linda was overcome. "It was like a kid coming habitation from higher," she says.
All those years of planning paid off, though. Light and greenery greet the Fiebigs at every turn, enshrining family and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People ofttimes ask u.s.a. what we would change. We're still difficult-pressed to come up upwardly with an answer."
What the Pros Know
The living room fireplace and Linda's office look equally though they're covered in Venetian plaster, but the material is actually Milestone, a hybridized Portland cement developed in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and well-nigh impervious to cracking and fading. The material adheres to almost whatsoever surface, and so it'southward ideal for walls, floors, countertops and showers, and it accepts the same universal tints used at pigment stores, meaning that color choices are space. The cost depends on the projection just is comparable to quality tile or stone. Milestone can exist purchased but from Artisan Finishes in Seattle (ArtisanFinishes.com), but visitor president Don Latimer is happy to help homeowners locate qualified installers in their expanse or to provide instruction to experienced do-information technology-yourselfers. "It's a adequately forgiving medium," Latimer says. "If y'all have a failure, it'll be artistic, non structural."
Click hither to encounter the gallery for "The Artful Dwelling".
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Source: https://www.elledecor.com/design-decorate/house-interiors/a3971/the-artful-home-a-61239/
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